It’s October and you know what means — it’s time to dust off the horror genre and spend a few weeks screaming at your television. Since actually getting off your couch and actually getting a movie off the shelf is too much effort, we’ve gone ahead and done all of the hard work for you. Here are the 10 best horror movies currently streaming on Netflix Instant. From bonafide classics to newer discoveries, these movies have a little something for everyone.
Good reviews and a phenomenal marketing campaign did their job this weekend. No number of foot-in-mouth moments from Matt Damon could harm the opening weekend of The Martian, which opened in the number one spot at the box office. After a surprisingly robust September, this is another sign that we may very looking at one of the bigger fall movie seasons in quite some time.
With Star Wars: The Force Awakens only three months away from release, Disney and Lucasfilm are waist-deep in their plan to ensure that every human being on the planet with access to a movie theater will go see their new movie. Now, the next phase is upon us: put all six films on Netflix, to remind any doubters that they like Star Wars.
There are few performers as easy to watch as Justin Timberlake and Anna Kendrick. Both are blessed with that most uncommon superpower – they walk on screen and you instantly like them, no strings attached. So any movie that casts them side-by-side deserves your attention. If that movie is a musical, that movie becomes an instant must-see. But now Hollywood have decided to test your devotion by making them the leads in the upcoming Trolls, an animated musical based on those creepy Troll dolls.
After September opened with a whimper, we were prepared for a dull couple of weeks. It looks like we shouldn’t have been so quick to judge. The one-two punch of The Perfect Guy and The Visit have suddenly made the least interesting month of the year interesting, opening big and opening close enough to one another to make for an interesting race. In the slower movie months, weekends like these are rare treats.
There’s one reason and one reason only why we’re getting a Ghostbusters remake in 2016 instead of an actual Ghostbusters 3 five years ago. That reason is named Bill Murray and he’s been the not-so-secret sequel roadblock for as long as we can remember. But then he accepted a small role in the new reboot, because he’s Bill Murray and Bill Murray does whatever he wants. Sometimes that means randomly showing up at your birthday party. Sometimes that means popping up in a film franchise that he seemingly had zero desire to revisit. Now, Murray explains his reasons for joining a new Ghostbusters movie he was so vocally against.
All summer movie seasons end with a whimper and 2015 was no different. The final weekend of August was a pretty sad display across the board, with Straight Outta Compton nabbing the number one spot by default while just about every new release faltered. You know it’s a slow weekend when a movie promoted exclusively to faith-based audiences nabs the number two spot.
Yesterday, photos of Bruce Willis filming director Woody Allen’s latest (and currently untitled) movie surfaced online and the everything seemed fine. Just another late-era Allen production that inexplicably features a killer line-up of movie stars! Move along, nothing to see here! However, something seems to have gone horribly wrong between yesterday and today because Willis has abruptly dropped out of the film. That’s the news. What follows is gossip, albeit interesting gossip.
The original The Karate Kid is one of those seemingly untouchable slices of ‘80s nostalgia. Everyone above a certain age has a soft spot for it. It has effortlessly merged with general pop culture, with characters like Mr. Miyagi and lines like “Wax on, wax off” existing outside of the film that created them. It’s a touchstone … but what if it’s a touchstone that we have been misunderstanding for the past 31 years? What if Ralph Macchio’s Daniel isn’t the hero of the film, but actually – dun dun DUN – the real bad guy?
Every time a movie about and for audiences who aren’t white and male does well, everyone acts like it’s a big surprise. “Black people and women like movies? Who’da thunk it?” It’s actually not surprising at all that Straight Outta Compton had a massive opening, handily defeating its more standard competition. Because all kinds of people like movies and when you make movies for all kinds of people, you end up with huge weekends at the box office.
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