Jacob Hall

Everyone knew that Rogue One: A Star Wars Story wasn’t going to match the opening weekend of Star Wars: The Force Awakens. That film had hype on its side, drawing off the power of a lengthy dry spell for fans and the presence of the original trilogy’s cast members. It’s unlikely that any Star Wars movie will match it ever again. With all of that said, the opening weekend of Rogue One should still be considered an enormous success, especially since these numbers would be nothing short of indisputably incredible if Star Wars wasn’t in the title.

The trend of more adult-oriented films commanding the box office continued this week with the success of The Accountant, which effortlessly snagged the number one spot. But like The Girl on the Train and The Magnificent Seven before it, Ben Affleck’s latest was strong without being enormous, meaning that word of mouth in the weeks ahead will prove vital to it being a proper hit.

Despite dominating the box office last week, The Magnificent Seven took a not-insignificant tumble this weekend, slipping to third place and allowing Miss Peregrine’s Home For Peculiar Children and Deepwater Horizon to claim the top two spots. However, both newcomers opened below expectations, making this an odd capper to a September that was otherwise full of surprise hits.

A little movie called Captain America: Civl War came out this weekend and made the exact kind of money you’d expect it to make. The thirteenth film in the Marvel Cinematic Universe didn’t have the biggest opening in the series’ history, but it was close enough. It’s easily the biggest opening for a Captain America solo movie (albeit ballooned by a co-starring role for Iron Man) and it managed to open bigger than its chief rival this year, Batman v Superman: Dawn of Justice. That’s certainly a win.

The Jungle Book was destined to take the number one spot at the box office this weekend. However, the early estimates were off by, oh, $20 million or so. Jon Favreau’s reimagining of this beloved story exceeded all financial expectations. Buoyed by strong reviews and positive word of mouth, the film had the second biggest April opening of all time, topped only by last year’s Furious 7.

Batman v Superman: Dawn of Justice held on to the number one spot at the box office this weekend, but it sure wasn’t pretty. Zack Snyder’s superhero showdown took a jaw-dropping tumble and if any other studio had decided to release a major film this weekend, it probably would have sunk to second place. This film is already proving to be a fascinating case study in marketing versus word of mouth: one earns you an opening weekend while the other gives you legs.

Last night’s episode of SNL felt a little unfocused, like it didn’t quite know what to do with guest Jonah Hill. However, when the sketches connected, they really connected, with the best of them truly utilizing Hill’s acting chops (he is a two-time Oscar nominee, after all). So it shouldn’t be too surprising that the high point for Hill came in a pre-filmed sketch — he’s funny in regular sketches, but he really shines when things get a little cinematic.

Last year, SNL was hosted by Republican presidential nominee frontrunner Donald Trump and the response was unkind, to say the least. Back then, he still seemed like a big joke — just a loudmouth who was surely going to drop out at any moment. And now, as he wins primary after primary, the beloved sketch show has slowly turned on Trump, culminating in a faux campaign ad that lands like a punch to the gut.

Last week, Beyoncé released a surprise new music video for her new song “Formation” and the world temporarily hit pause on itself so everyone could watch it, as is often the case when she does just about anything. However, this song and its video instantly courted controversy, as far too many white commenters and writers and what-have-you found themselves churning out think pieces and hot takes about how the beloved pop singer used this opportunity to embrace her heritage. In other words, a bunch of white people suddenly found themselves deeply uncomfortable that Beyoncé was black and SNL has parodied this with a fake movie trailer.

Although Melissa McCarthy was the guest host on last night’s episode of SNL, the show found a great sketch in which to showcase musical guest Kanye West. Naturally, the sketch involves the always controversial hip hop artist facing down cast member Kyle Mooney, who decides to challenge West to a rap battle. Let’s just say that it doesn’t go well for one of them.

Around this time last year, SNL presented a commercial parody centering around Totino’s Pizza Rolls, just in time for the Super Bowl. And it was a nasty piece of business, tearing apart the image of the NFL’s biggest game as a day for men and imprisoning Vanessa Bayer’s indefatigable housewife in the kitchen, where she was simply tasked with warming up more disgusting food. So when SNL aired another Totino’s sketch in last night’s episode, we simply assumed it would be a carbon copy of the first one. Boy, were we wrong.

It wasn’t that surprising last week when Ride Along 2 officially dethroned Star Wars: The Force Awakens as reigning champion of the box office. However, what is surprising is how fast and far it plummeted in its second weekend. As the comedy sequel’s legs instantly shattered, The Revenant was finally able to claim the top spot after several weeks of playing box office bridesmaid.

The moment former Alaskan governor and 2008 Vice Presidential candidate Sarah Palin endorsed Donald Trump for President of the United States, you know the producers at SNL hurried to get Tina Fey on the phone. The beloved former cast member, who just hosted the show last month, famously took on the role of Palin eight years ago and many people believe that her scathing imitation actually did lasting harm to the real Palin’s political chances. In any case, this event allowed SNL to pair Fey’s Palin with Darrell Hammond‘s Trump. Thanks, reality!

It’s a testament to the staying power of certain public figures that they’ve been played by more than one SNL cast member over the years. People like Hillary Clinton, the former First Lady turned former Senator turned former Secretary of State turned current Democratic Presidential frontrunner, linger on long past Saturday Night Live cast rotations. So what is the show to do when one of its guest hosts used to play a vital and very much in the public eye politician back in the day? Put her on stage with the current version, of course.

SNL commercial parodies are at their best when they’re at their most scathing. The fake ad for a fictional dating app called Settl may not be as dark as that vicious, pro-gun parody from a while back, but it’s a different brand of cynical: Here is the app for people who are tired of trying to find the right person and just want to settle down with, well, any person.

While traditional live sketches are still the backbone of any given episode, modern SNL is frequently at its best in the pre-recorded segments. The past few years have seen an interesting evolution as the silly “digital shorts” of a decade ago have matured into full-blown filmmaking, with sketches that feel more like short films than just a comedy bit. Last night’s Ryan Gosling-hosted episode peaked with a pre-recorded sketch titled “Santa Baby,” which let both SNL and Gosling himself turn the weird up to 11.

Once families finished feasting on Thanksgiving, they had several options: continue enjoying each other’s company in the privacy of their own home, brave the crowds in search of deals at the retail store of their choice, or nip any potential argument over politics in the bud by heading out to the movies. Option three was apparently a popular one this year, as the overall top 10 for the week was the healthiest it has been in awhile, with The Hunger Games: Mockingjay – Part 2 fending off The Good Dinosaur and Creed, which still performed well.

As expected, The Hunger Games: Mockingjay – Part 2 topped the box office charts this weekend. But like the war in the movie itself, it all feels like something of a hollow victory. That may seem like a weird thing to say about a movie that broke $100 million in its opening weekend, but this is a new low for the series’ box office receipts…and it’s not even close.

With Star Wars: The Force Awakens less than a month away from release and anticipation reaching a feverish level unseen in movie fans since 1999, the timing is right for SNL to gently skewer the upcoming sequel. The sketch is really just an excuse for the cast to break out a bunch of impersonations they’ve obviously been keeping in their back pockets while letting them interact with actual Star Wars cast members, but c’mon, that’s all the excuse you need, really.

The success of Hotel Transylvania 2 proved that family-friendly horror-themed movies stand to make a whole bunch of cash when released in the vicinity of Halloween. Now, Goosebumps is here to ensure that we’ll be getting slightly scary kids’ movies every October for the foreseeable future. The adaptation of the popular book series opened at number one, riding a wave of nostalgia and family appeal to a very strong start, beating out some pretty serious competition.