The trend of more adult-oriented films commanding the box office continued this week with the success of The Accountant, which effortlessly snagged the number one spot. But like The Girl on the Train and The Magnificent Seven before it, Ben Affleck’s latest was strong without being enormous, meaning that word of mouth in the weeks ahead will prove vital to it being a proper hit.
Despite dominating the box office last week, The Magnificent Seven took a not-insignificant tumble this weekend, slipping to third place and allowing Miss Peregrine’s Home For Peculiar Children and Deepwater Horizon to claim the top two spots. However, both newcomers opened below expectations, making this an odd capper to a September that was otherwise full of surprise hits.
A little movie called Captain America: Civl War came out this weekend and made the exact kind of money you’d expect it to make. The thirteenth film in the Marvel Cinematic Universe didn’t have the biggest opening in the series’ history, but it was close enough. It’s easily the biggest opening for a Captain America solo movie (albeit ballooned by a co-starring role for Iron Man) and it managed to open bigger than its chief rival this year, Batman v Superman: Dawn of Justice. That’s certainly a win.
The Jungle Book was destined to take the number one spot at the box office this weekend. However, the early estimates were off by, oh, $20 million or so. Jon Favreau’s reimagining of this beloved story exceeded all financial expectations. Buoyed by strong reviews and positive word of mouth, the film had the second biggest April opening of all time, topped only by last year’s Furious 7.
Batman v Superman: Dawn of Justice held on to the number one spot at the box office this weekend, but it sure wasn’t pretty. Zack Snyder’s superhero showdown took a jaw-dropping tumble and if any other studio had decided to release a major film this weekend, it probably would have sunk to second place. This film is already proving to be a fascinating case study in marketing versus word of mouth: one earns you an opening weekend while the other gives you legs.
Last night’s episode of SNL felt a little unfocused, like it didn’t quite know what to do with guest Jonah Hill. However, when the sketches connected, they really connected, with the best of them truly utilizing Hill’s acting chops (he is a two-time Oscar nominee, after all). So it shouldn’t be too surprising that the high point for Hill came in a pre-filmed sketch — he’s funny in regular sketches, but he really shines when things get a little cinematic.
Last year, SNL was hosted by Republican presidential nominee frontrunner Donald Trump and the response was unkind, to say the least. Back then, he still seemed like a big joke — just a loudmouth who was surely going to drop out at any moment. And now, as he wins primary after primary, the beloved sketch show has slowly turned on Trump, culminating in a faux campaign ad that lands like a punch to the gut.
Last week, Beyoncé released a surprise new music video for her new song “Formation” and the world temporarily hit pause on itself so everyone could watch it, as is often the case when she does just about anything. However, this song and its video instantly courted controversy, as far too many white commenters and writers and what-have-you found themselves churning out think pieces and hot takes about how the beloved pop singer used this opportunity to embrace her heritage. In other words, a bunch of white people suddenly found themselves deeply uncomfortable that Beyoncé was black and SNL has parodied this with a fake movie trailer.
Although Melissa McCarthy was the guest host on last night’s episode of SNL, the show found a great sketch in which to showcase musical guest Kanye West. Naturally, the sketch involves the always controversial hip hop artist facing down cast member Kyle Mooney, who decides to challenge West to a rap battle. Let’s just say that it doesn’t go well for one of them.
Around this time last year, SNL presented a commercial parody centering around Totino’s Pizza Rolls, just in time for the Super Bowl. And it was a nasty piece of business, tearing apart the image of the NFL’s biggest game as a day for men and imprisoning Vanessa Bayer’s indefatigable housewife in the kitchen, where she was simply tasked with warming up more disgusting food. So when SNL aired another Totino’s sketch in last night’s episode, we simply assumed it would be a carbon copy of the first one. Boy, were we wrong.
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